Daphne excerpt
©2001 Cameron Chesney
Script created with Final Draft by Final Draft, Inc.
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JOAN
Well if he isn't going to paint... Tell me Andrea, why won't
you pose for him?
ANDREA
I'm having trouble dealing with the nudity issue.
JOAN
Issue? What issue? Just take off your clothes and its done.
ANDREA
That simple?
JOAN
Well it is darling...
(JOAN walks over to the model
stand,sits and crosses her
legs and takes her blouse
down, revealing her
undergarments.)
Voila!
At that moment CHRISTOPHER walks back
in to the studio and sees JOAN sitting
on his model stand in her bra.
CHRISTOPHER
I'm in hell.
EDEN
Oh this will be good.
JOAN
I was just leaving.
CHRISTOPHER
What are you doing here traitor?
JOAN
I'm here to see Eden. That's all. She has some work for me
to sell.
CHRISTOPHER
You've come to finish me off is that it? Where's Cujo?
Drinking varnish I hope.
JOAN
Away from you. And that suits me fine.
CHRISTOPHER
And you're still her as well? The two of you are circling in
for the kill. Do your worst, I'm an easy target today.
EDEN
Come on Joan, lets go back to my studio before we're engulfed
by "flames of death" engulf us too.
JOAN
Well Christopher, I wish you luck on your latest endeavor.
I'm sure it will be wonderful...if you ever do it, of course.
Goodbye Andrea. Give my best to Caulfield.
JOAN walks out still in only her
undergarments.
ANDREA
I should go too.
CHRISTOPHER
No! Andrea, how about this?...at least before you go,let me
make some sketches. Preliminaries. Something. Clothed.
Let me do something...
ANDREA
I should go.
EDEN
Give it up Chris. She can't do it.
ANDREA
I didn't say that I can't do it...
EDEN
Oh?
CHRISTOPHER
I just need to work, if you will help...
(To Eden)
What are you still doing here? You want to borrow some more
paint? I'm all out of Rose Madder. How about some Orange
Neon? Oh I'm sorry, I'm out of that too.
EDEN
You know, you gave me the idea for the pink.
CHRISTOPHER
Don't blame your travesty on me, I absolve myself of you and
your folly. Would you please leave us?
EDEN
Gladly! My paintings work Chris, you may not like them but
they work.
CHRISTOPHER
(beat) You could have been much more than this. You could
have reached higher levels...
EDEN
Who the hell are you to talk to me about higher levels? You
live in the dirt man. This place is like a prison. You've
been underground for so long, you can't take the daylight.
You're like a ghoul or something. When was the last time you
looked at a blue sky?
CHRISTOPHER
At least its not a pink sky.
EDEN
Only because you've never seen one.
CHRISTOPHER
Sure I have? At sunset. Well isn't that quaint. Let's give
everyone a nice pink sunset to look at shall we... Then
we'll all feel peachy.
EDEN
What's wrong with that Christopher? Why can't I express my
appreciation of a sunset...?
CHRISTOPHER
I'll tell you what's wrong with it. It's cliche idealism.
It's misleading and manipulative. It's a distortion of
reality.
EDEN
It's not idealism, its a reflection of what I believe, and
that is very real.
CHRISTOPHER
Very literal Eden.
EDEN
Oh, Its only literal for you Christopher because you're
afraid to look at things the way I do. Afraid I might have a
valid point, and that upsets you.
CHRISTOPHER
How dare you? Do you know how long I've studied and prepared
for my craft? Seventeen years formally, and I'm still
working at it. I have the courage to admit my weaknesses.
EDEN
You use it as an excuse not to work.
CHRISTOPHER
Here you are, how old... Twenty-three...Twenty-four, and you
have the absolute gall to tell me how I should paint? I was
your teacher.
EDEN
Oh, excuse me sire, have I offended thee?
CHRISTOPHER
(embarrassed.) I knew you were mocking me.
EDEN
I'm not mocking you Chris, I respect you more than you
realize. But I also have respect for myself. I don't like
puzzles. I don't like bullshit. The reason people come to
my painting is because they respond to a quality of openness
that is genuine. They don't make judgements.
CHRISTOPHER
Yes they do. The reason your paintings sell, Eden is that
they go particularly well with Victorian styled wall-paper,
or someone's new pink sofa. Its a reflection of comfort and
surface. It sedates the masses, and caters to them. There's
nothing there. You aren't helping anyone. The saddest thing
is...your skills...your craft is so refined and embellished
that you can't even conceive of going somewhere dark, or
obtrusive.
EDEN
I can go wherever I please with my paintings Chris. Its a
choice. I make it consciously. I have had enough darkness
in my life. I don't like to live like that. The world has so
much of it already. You're the one who's hiding.
CHRISTOPHER
Me?
EDEN
YOU'VE BEEN HIDING FOR MONTHS. Years now. And you're happy
being here, because it gives you an excuse to be miserable.
I'd rather be free with myself. I like where I go. Its a
much better place to be than where you live. Your existence
is shallow in a cave. You can't see in the dark, baby. I
feel sorry for you. (walks away) Somebody should take away
your black. Then what would you do?
EDEN storms out of the studio, pausing
slightly in front of Andrea. They have
an exchange.
CHRISTOPHER
I apologize. Would you please have some coffee?
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Script created with Final Draft by Final Draft, Inc.